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Vanissa Law
固定/交互式電子產品| 現場視覺效果 | 筆記本電腦管弦樂隊
Etiquette: munch, chew, crush, bite (2022)
Audiovisual fixed media
History Has Stopped at 2021 (2021)
Snare drum and interactive visuals
The Bubbling Improv (2020)
Interactive electronics
Locker Room Improv (2017)
Interactive electronic
Red Sheep (2019)
For percussion and piano with live visuals
Exhaled Rhyme (2014)
Fixed media (stereo/ surround)
First Etude (2017)
for coffee grinder
Plain (2013)
for laptop orchestra
A Fan (2013)
for laptop orchestra
Hum (2013)
for voice and electronics
Bubble MI (2016)
Quadraphonic performance software
原聲樂器|語音|劇院
Every bubbly step and skip (2023)
for 2 clarinets
Etiquette (2022)
Sound art performance
Walking Through the Apocalypse (2021)
for clarinet, percussion, and piano
On Beauty (2019)
for orchestra and choir
Elegy 1766 (2020)
for SATB choir
O Holy Night (2019)
SATB choir
Eternal Father (2019)
for SATB choir
Animal Farm (2016)
SATB choir
Princess Snivels (2019)
Music story-telling
The Kidnapped Santa Claus (2018)
Music story-telling
Skin Edge (2013)
for 2 percussionists and tape
Avant-pop Suite: Eason Chan Opus (2012)
for TTBB quartet
The Enlightened Desolation (2012)
for chamber ensemble
Kong (2011)
for chamber ensemble
Rinoa (2009)
for mezzo-soprano and piano
裝置| 聲音設計
Unlearn/ Relearn\ (2022)
Installation
Garden in the Weird Dream (2022)
Sound design for installation
The Cityscape (2020)
Sound design for installation
Escapism (2020)
Interactive electronics for paper headpiece
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