Vanissa Law 羅穎綸
Born in Hong Kong, I am a composer and curator of interdisciplinary art projects. With experience in both acoustic and electroacoustic music, I have worked on various arts and technology initiatives.

Creative Outputs
放下/重來 \ 學習 (2022)
裝置

語言的體現
正如我們每天花大量時間通過智能手機查看信息,而不關注智能手機本身的外觀和構造一樣,我們在香港每天說粵語、閱讀繁體字,卻沒有花太多時間學習和掌握知識。仔細觀察語言和人物。
如果我們把一個漢字當成一個字看,把一個單詞的發音當成一個聲音來聽呢?如果符號與我們將單詞組成可理解的句子的通常方式完全脫節怎麼辦?
2022 年 11 月 | deTour 2022 |元創方 |香港
禮儀:咀嚼、咀嚼、壓碎、咬合 (2022)
視聽固定媒體

Etiquette" is originally a sonic art piece that incorporates eating-related gestures, such as chewing and cutting food. The project aims to draw attention to the everyday sounds we often overlook. Narration includes quotes about eating from philosophers such as Plato, Heidegger, Pythagoras, Confucius, and Zhuang Zhou.
This video, based on the audio component of the "Etiquette" sound art performance, offers a different perspective on how great philosophers have thought about eating and food.
2022 年 9 月 |聲音藝術研究中心|貝爾法斯特女王大學
Hum (2013)
語音與實時影像

"Hum" emerged from the composer's curiosity about the possibility of creating a solo a cappella performance. Vocal samples are recorded, analyzed, and processed in real time during the performance, with visuals generated in response. An iPad is used to control recording and sample playback.
"Hum" is a live audio-visual performance featuring a vocalist and an iPad. The singing voice is analyzed and interpreted live, then translated into visual elements.
Since 2013 | Various venues and occasions