One of the central challenges in interactive electroacoustic music concerns the role of gesture in performance. In acoustic instrumental practice, gesture is inseparable from sound production: the physical actions required to generate sound are visible, legible, and structurally meaningful. In contrast, computer-based music performance often obscures the relationship between movement and sonic outcome. This raises an important question: how can gesture remain musically meanin

It’s More Fun To Sink Them  (2026) is an interactive media installation that establishes a real-time audiovisual relationship between spectators and archival speech footage of Donald Trump through webcam-based facial tracking. The work explores how authority operates through mediated speech and instruction by transforming political rhetoric into responsive audiovisual material shaped directly by the viewer’s bodily presence. Rather than treating speech as a stable carrier of

The installation Knowless: Dreamlike Dream explores this experience of living within change. Inspired by the philosophy of Zhuangzi , the installation invites visitors to wander between dream and waking, between certainty and uncertainty, through a sequence of spatial environments. Rather than presenting philosophy as text, the ideas unfold through light, mirrors, sound, and movement , allowing visitors to experience the concepts physically and emotionally. Life often feels

When most people hear the word philosophy , they picture something distant, abstract—maybe even intimidating. It feels like something only academics talk about, with big ideas about existence, morality, or the universe. But philosophy doesn’t have to live in a textbook. At its heart, it’s a way of thinking. It’s a mental practice—a method for making sense of life. It helps you ask better questions, break out of rigid thought patterns, and look at the world with fresh eyes. In

This article documents the technological design and implementation of Music for 9, a media installation presented as part of The Missing Link project. The work fragments a percussion performance into distributed visual and sonic components across multiple synchronised displays. Close-up images of the performer’s body are distributed across screens, each paired with an individual speaker that emits processed and partially dislocated sound. Through this spatial arrangement, the

The following is a reproduction of the discussions that occurred during a meeting that was held remotely on 23 November 2022 during the presentation period of Twenty-One Twenty-One , an exhibition under The Missing Link project. Twenty-One Twenty-One  is an imagination of Hong Kong in 2121 by Architect Wyan Yeung, which comprised two approximately 150-ft 2  rooms at the Police Married Quarters (PMQ) site. This building is located on Hollywood Road in Hong Kong and was rated a